The record also shows Bridgers pushing her sound in new directions. With Jack Antonoff contributing synth-heavy textures, the opener leans into vocoder effects, while other passages draw on ambient music and Radiohead-like experimentation. On tracks such as “Panorama,” she lets the arrangement speak first, and elsewhere she leans into dramatic bursts of feeling, including the triumphant “As Above,” which she had already previewed live earlier this summer. The album is filled with recurring images tied to sleep, chemicals, and hospitals, giving the project a dreamlike but uneasy atmosphere.

At the same time, Lost Weekend is deeply personal. The report says the death of Bridgers’ father in 2023 hangs over several songs, including “Still Standing,” “Lost Weekend (Reprise),” and “Never Going Back!,” where a voicemail from him adds to the emotional weight. But the album is not only about loss. It also finds room for joy, especially in songs connected to her relationship with comedian Bo Burnham, and in tracks that reflect on the strange contradictions of success. The closing reprise ties the album together with one of Bridgers’ most striking lines, reinforcing her reputation as one of the most compelling songwriters working today.

Source: rollingstone.com

The post Phoebe Bridgers Returns With Her Most Ambitious Solo Album Yet appeared first on .

The venue later said that fans who already bought tickets will be able to use them for the new date, which has not yet been announced. Local outlet Lex News reported that this is the second time Manilow has had to move the Lexington stop. He had previously been scheduled to perform there on March 9, but that show was also pushed back while he recovered from lung cancer.

Despite the Lexington change, Manilow is still listed to perform in Cincinnati on Wednesday. His recent touring plans have been affected by health-related delays after he announced in December that he would undergo surgery to remove a cancerous spot on his lung. He was originally set to begin his 2026 farewell tour in January, but later postponed those dates, saying he needed more time to recover before returning to the stage.

Additional reschedulings followed, including his Las Vegas residency in February and March and the Northwest U.S. leg of the farewell tour that had been planned for April and May. Manilow is now cancer-free and has returned to touring, and he also released his first new album in nearly 15 years, What a Time. In a recent conversation with Rolling Stone UK, he said he has long wanted audiences to leave his shows feeling better than when they arrived.

Source: rollingstone.com

The post Barry Manilow’s Lexington Show Postponed Moments Before Doors Were Set to Open appeared first on .

The event brought together friends, family members, and local officials to mark the occasion. While Jones was born and raised in Fort Greene, his ties to Bed-Stuy remain especially meaningful. According to the report, his eldest brother, Ramsay Jones, said at the ceremony that the street sign was installed near the block where their grandmother still lives. That same block also features a mural based on the cover of Jones’ debut solo album, Return to the 36 Chambers: The Dirty Version.

The street naming comes more than two decades after Ol’ Dirty Bastard died of an overdose in 2004 at age 35. Since then, his life and legacy have been revisited in two documentaries: an unauthorized 2013 film that his estate tried to stop, and a 2023 A&E release made with his family’s approval.

Source: pitchfork.com

The post Ol’ Dirty Bastard Gets a New York City Street Named After Him appeared first on .

The new tracks are “I Keep On Thinking Bout You Every Single Day and Night,” “Playboy Bunny,” and “If You Take the Music Then What Has She Got?” According to the report, all three had already been shared through Charli’s @b.sides Instagram account and were also issued as actual b-sides on limited 7-inch singles tied to “Rock Music,” “SS26,” and “Camera.” They were additionally included in the physical box set for Music, Fashion, Film.

Charli says the songs were meant to stand apart

In an Instagram post, Charli explained that she viewed the b-sides as companion pieces to the album rather than part of its core tracklist. She said she had not intended to release them on streaming because doing so felt “counter intuitive” to the idea behind those songs, but added that she gave in because fans wanted them. She also joked that people could call her a hypocrite and said she hoped listeners would enjoy the “special songs.”

The iTunes version is priced at $4.99 and includes the album’s original 11 tracks, the three b-sides, and their music videos. Music, Fashion, Film, Charli XCX’s seventh studio album, arrived on Friday. In a recent Rolling Stone cover story, she spoke about the record as a follow-up to Brat and reflected on how her albums tend to work in contrast to one another. She also said she had no interest in making the same project twice.

Charli is set to support the album with a tour that will include festival appearances at Lollapalooza, Outside Lands, Reading, Leeds, and more, along with arena dates such as Barclays in Brooklyn and the Kia Forum in Los Angeles.

Source: rollingstone.com

The post Charli XCX Puts ‘Music, Fashion, Film (B-Sides Edition)’ on Streaming After Holding Back the Extras appeared first on .

A federal judge denied Cher’s request to have Mary Bono cover those expenses, ruling that the case was largely about contract issues rather than federal copyright law. That distinction mattered because the repayment rules Cher relied on did not apply, the report says. The decision follows a final judgment signed in late November 2025 that upheld the earlier ruling in Cher’s favor.

The dispute centered on Sonny Bono’s music rights

The feud stemmed from the rights tied to Sonny Bono’s compositions and the divorce agreement he and Cher reached in 1978. The judge previously found that Mary Bono could not use the federal Copyright Act to take back Cher’s 50 percent share of those royalties. He also ruled that Cher still has the right to receive her composition and record royalties directly, even after selling those rights to Irving Azoff’s Iconic Artists Group in 2022.

Mary Bono had wanted to deal directly with Iconic and send payments through Sonny Bono’s estate without Cher being involved. She later challenged the ruling that Cher is entitled to half of the publishing royalties from Sonny and Cher’s 1960s hits, including “I Got You Babe” and “The Beat Goes On.” An appeals court has not yet ruled on that challenge.

The report notes that Cher, now 79, became famous performing with Sonny in the 1960s before building a solo career that brought her Grammy, Oscar and Emmy wins. After Sonny Bono died in a skiing accident in 1998, Mary Bono took over his estate. His music publishing interests became eligible for termination starting in 2018, which led Mary to notify publishers that she intended to reclaim certain rights.

Source: rollingstone.com

The post Cher Ordered to Cover Her Own $1 Million Legal Bill in Royalties Fight With Mary Bono appeared first on .

Tour driver and guide Neil Morton described the encounter as surreal, and said the passengers were stunned by the sight of McCartney. The surprise only grew when McCartney leaned out of his window and revealed that he was on a FaceTime call with Ringo Starr, giving the group a rare glimpse of two surviving Beatles in the same impromptu moment.

A fitting stop on a Beatles landmark tour

Starr later shared a photo of McCartney from the encounter on Instagram, pairing it with a caption that nodded to the tour’s name and the mood of the moment. The episode came during a trip that already carries strong Beatles history: Liverpool’s Magical Mystery Tour is dedicated to the band’s early years and takes visitors to places connected to their rise, including childhood homes, schools, Penny Lane, Strawberry Field, and the Cavern Club, where the group made its debut in 1961.

The tour has also been getting fresh recognition. Earlier this year, it was named the top attraction in the U.K. Tripadvisor Travelers’ Choice Best of the Best Things To Do awards. McCartney and Starr have also recently collaborated musically, releasing their first duet together in May, a track that appears on McCartney’s album The Boys of Dungeon Lane, which looks back on his Liverpool upbringing.

Source: rollingstone.com

The post Paul McCartney Surprises Beatles Tour Fans With a Liverpool Drive-By and a Ringo Starr FaceTime appeared first on .

According to the report, the sold-out underplay drew $40 tickets that disappeared within minutes and could not be transferred. A limited number of spots were reserved for contest winners, media, industry guests, and others, while fans outside could hear the show but could not see the stage, which sits deep in the back of the bar. Twain opened with “Come On Over” and “Any Man of Mine,” then told the crowd it felt like the “best night ever” and a full-circle moment after years of hoping to make it there.

The performance was built around autobiographical material tied to her upbringing in Timmins, Ontario, and to life in “the North.” Twain shared stories about her mother, father, truck, early driving experience, ripped blue jeans, and the idea of a fantasy man, all of which fed into the new material. She even repeated some verses after singing them with the band, wanting the audience to catch every line. Backed by a six-piece group that included four women and longtime music director Brent Barcus, Twain played guitar through most of the 75-minute set, which also included the rootsy “Dirty Rosie,” the soul-leaning “I’d Be Loving Me,” and the harmony-driven “Stranger Things.”

The Horseshoe itself added to the significance of the night. Now 78 years old, the venue has hosted a long list of artists over the years, from Waylon Jennings, Loretta Lynn, Conway Twitty, and Willie Nelson to the Rolling Stones, the Ramones, Foo Fighters, and Bryan Adams. Twain also pointed to its history as a place tied to country music and to figures like Stompin’ Tom Connors, making her first appearance there feel especially meaningful.

Source: rollingstone.com

The post Shania Twain Brings Her Dream Toronto Dive-Bar Show to the Horseshoe Tavern appeared first on .

The group later described Finch as a fierce and original presence whose humor, creativity, and spirit played a major role in shaping L7. According to the report, her impact extended far beyond the band itself, touching music, art, and the many people who knew her personally or admired her work from afar.

A longtime presence in punk and rock

Finch had recently revealed that she was undergoing treatment after being diagnosed with an aggressive form of brain cancer. What was first expected to be manageable with radiation became more complicated, leading to multiple surgeries and significant physical limitations that required extensive care. The report also notes that Finch had previously been diagnosed with thyroid cancer in 2011.

Because of her illness, Finch stepped away from L7’s planned U.S. leg of the Last Hurrah Tour and asked her bandmates to continue without her. L7 formed in 1985, and Finch joined in 1987, going on to become a key part of the band’s rise. She played on much of their Nineties-era run before leaving in 1996, later returning for the group’s 2015 reunion and appearing on the 2019 album Scatter the Rats.

Outside L7, Finch remained active in music and art. She played in OtherStarPeople and the Shocker, started Little Pusher Records, and worked extensively as a photographer. Friends and family had also launched a GoFundMe to help with treatment and recovery costs, while also supporting plans to preserve her work and finish a creative project that had been slated for release next year.

Source: rollingstone.com

The post Jennifer Finch, L7 Bassist, Dies at 59 After Brain Cancer Battle appeared first on .

Kendall began his career writing about music for publications in the UK and the U.S., including Melody Maker and Spin. In the 1980s, he moved to New York and joined MTV, where he worked for seven years as a writer, producer, presenter, and news reporter. He created 120 Minutes as a space for alternative music, and the show went on to become one of the most important outlets for the genre on television.

Launched in 1986, the program became closely associated with the rise of alternative rock in the mainstream. Kendall hosted it for three years and used the platform to spotlight acts such as Sonic Youth and Pixies. He also introduced the premiere of Nirvana’s “Smells Like Teen Spirit” in 1991, a moment that helped define the band’s breakthrough. Beyond MTV, Kendall hosted and co-produced Music Scoupe, worked in radio and DJing, and later moved into digital journalism, including some of the earliest online video streaming shows.

He eventually returned to television, then settled in Thailand and joined Bangkok Post. In his tribute, Pinfield described Kendall as a true believer who gave alternative music a home long before it became fully accepted by the mainstream, and praised the way he connected with artists and fans.

Source: pitchfork.com

The post Dave Kendall, the Force Behind MTV’s 120 Minutes, Has Died at 63 appeared first on .

De La Soul opened the music portion of the evening, urging the crowd of athletes to get on their feet during a medley that included parts of “Stakes Is High” and “Run It Back!!” Slick Rick followed by starting his performance from the audience before moving to the stage for a shortened version of “La Di Da Di.”

Ghostface Killah then took over, beginning his set by saluting fellow Wu-Tang Clan members Raekwon and Ol’ Dirty Bastard with nods to “Ice Cream” and “Shimmy Shimmy Ya” before moving into “Cherchez LaGhost.” Fat Joe closed the show with “All the Way Up,” bringing the entertainment to a finish that fit the evening’s Knicks-heavy mood.

The award show also reflected the team’s recent success in its honors: Jalen Brunson won both Best Championship Performance and Best NBA Player, OG Anunoby’s late tip was named Best Play, and the Knicks were recognized as Best Team.

Source: rollingstone.com

The post Ghostface Killah, De La Soul, Fat Joe Bring New York Rap Energy to Knicks-Focused ESPYs appeared first on .

The record also shows Bridgers pushing her sound in new directions. With Jack Antonoff contributing synth-heavy textures, the opener leans into vocoder effects, while other passages draw on ambient music and Radiohead-like experimentation. On tracks such as “Panorama,” she lets the arrangement speak first, and elsewhere she leans into dramatic bursts of feeling, including the triumphant “As Above,” which she had already previewed live earlier this summer. The album is filled with recurring images tied to sleep, chemicals, and hospitals, giving the project a dreamlike but uneasy atmosphere.

At the same time, Lost Weekend is deeply personal. The report says the death of Bridgers’ father in 2023 hangs over several songs, including “Still Standing,” “Lost Weekend (Reprise),” and “Never Going Back!,” where a voicemail from him adds to the emotional weight. But the album is not only about loss. It also finds room for joy, especially in songs connected to her relationship with comedian Bo Burnham, and in tracks that reflect on the strange contradictions of success. The closing reprise ties the album together with one of Bridgers’ most striking lines, reinforcing her reputation as one of the most compelling songwriters working today.

Source: rollingstone.com

The post Phoebe Bridgers Returns With Her Most Ambitious Solo Album Yet appeared first on .

The venue later said that fans who already bought tickets will be able to use them for the new date, which has not yet been announced. Local outlet Lex News reported that this is the second time Manilow has had to move the Lexington stop. He had previously been scheduled to perform there on March 9, but that show was also pushed back while he recovered from lung cancer.

Despite the Lexington change, Manilow is still listed to perform in Cincinnati on Wednesday. His recent touring plans have been affected by health-related delays after he announced in December that he would undergo surgery to remove a cancerous spot on his lung. He was originally set to begin his 2026 farewell tour in January, but later postponed those dates, saying he needed more time to recover before returning to the stage.

Additional reschedulings followed, including his Las Vegas residency in February and March and the Northwest U.S. leg of the farewell tour that had been planned for April and May. Manilow is now cancer-free and has returned to touring, and he also released his first new album in nearly 15 years, What a Time. In a recent conversation with Rolling Stone UK, he said he has long wanted audiences to leave his shows feeling better than when they arrived.

Source: rollingstone.com

The post Barry Manilow’s Lexington Show Postponed Moments Before Doors Were Set to Open appeared first on .

The event brought together friends, family members, and local officials to mark the occasion. While Jones was born and raised in Fort Greene, his ties to Bed-Stuy remain especially meaningful. According to the report, his eldest brother, Ramsay Jones, said at the ceremony that the street sign was installed near the block where their grandmother still lives. That same block also features a mural based on the cover of Jones’ debut solo album, Return to the 36 Chambers: The Dirty Version.

The street naming comes more than two decades after Ol’ Dirty Bastard died of an overdose in 2004 at age 35. Since then, his life and legacy have been revisited in two documentaries: an unauthorized 2013 film that his estate tried to stop, and a 2023 A&E release made with his family’s approval.

Source: pitchfork.com

The post Ol’ Dirty Bastard Gets a New York City Street Named After Him appeared first on .

The new tracks are “I Keep On Thinking Bout You Every Single Day and Night,” “Playboy Bunny,” and “If You Take the Music Then What Has She Got?” According to the report, all three had already been shared through Charli’s @b.sides Instagram account and were also issued as actual b-sides on limited 7-inch singles tied to “Rock Music,” “SS26,” and “Camera.” They were additionally included in the physical box set for Music, Fashion, Film.

Charli says the songs were meant to stand apart

In an Instagram post, Charli explained that she viewed the b-sides as companion pieces to the album rather than part of its core tracklist. She said she had not intended to release them on streaming because doing so felt “counter intuitive” to the idea behind those songs, but added that she gave in because fans wanted them. She also joked that people could call her a hypocrite and said she hoped listeners would enjoy the “special songs.”

The iTunes version is priced at $4.99 and includes the album’s original 11 tracks, the three b-sides, and their music videos. Music, Fashion, Film, Charli XCX’s seventh studio album, arrived on Friday. In a recent Rolling Stone cover story, she spoke about the record as a follow-up to Brat and reflected on how her albums tend to work in contrast to one another. She also said she had no interest in making the same project twice.

Charli is set to support the album with a tour that will include festival appearances at Lollapalooza, Outside Lands, Reading, Leeds, and more, along with arena dates such as Barclays in Brooklyn and the Kia Forum in Los Angeles.

Source: rollingstone.com

The post Charli XCX Puts ‘Music, Fashion, Film (B-Sides Edition)’ on Streaming After Holding Back the Extras appeared first on .

A federal judge denied Cher’s request to have Mary Bono cover those expenses, ruling that the case was largely about contract issues rather than federal copyright law. That distinction mattered because the repayment rules Cher relied on did not apply, the report says. The decision follows a final judgment signed in late November 2025 that upheld the earlier ruling in Cher’s favor.

The dispute centered on Sonny Bono’s music rights

The feud stemmed from the rights tied to Sonny Bono’s compositions and the divorce agreement he and Cher reached in 1978. The judge previously found that Mary Bono could not use the federal Copyright Act to take back Cher’s 50 percent share of those royalties. He also ruled that Cher still has the right to receive her composition and record royalties directly, even after selling those rights to Irving Azoff’s Iconic Artists Group in 2022.

Mary Bono had wanted to deal directly with Iconic and send payments through Sonny Bono’s estate without Cher being involved. She later challenged the ruling that Cher is entitled to half of the publishing royalties from Sonny and Cher’s 1960s hits, including “I Got You Babe” and “The Beat Goes On.” An appeals court has not yet ruled on that challenge.

The report notes that Cher, now 79, became famous performing with Sonny in the 1960s before building a solo career that brought her Grammy, Oscar and Emmy wins. After Sonny Bono died in a skiing accident in 1998, Mary Bono took over his estate. His music publishing interests became eligible for termination starting in 2018, which led Mary to notify publishers that she intended to reclaim certain rights.

Source: rollingstone.com

The post Cher Ordered to Cover Her Own $1 Million Legal Bill in Royalties Fight With Mary Bono appeared first on .

Tour driver and guide Neil Morton described the encounter as surreal, and said the passengers were stunned by the sight of McCartney. The surprise only grew when McCartney leaned out of his window and revealed that he was on a FaceTime call with Ringo Starr, giving the group a rare glimpse of two surviving Beatles in the same impromptu moment.

A fitting stop on a Beatles landmark tour

Starr later shared a photo of McCartney from the encounter on Instagram, pairing it with a caption that nodded to the tour’s name and the mood of the moment. The episode came during a trip that already carries strong Beatles history: Liverpool’s Magical Mystery Tour is dedicated to the band’s early years and takes visitors to places connected to their rise, including childhood homes, schools, Penny Lane, Strawberry Field, and the Cavern Club, where the group made its debut in 1961.

The tour has also been getting fresh recognition. Earlier this year, it was named the top attraction in the U.K. Tripadvisor Travelers’ Choice Best of the Best Things To Do awards. McCartney and Starr have also recently collaborated musically, releasing their first duet together in May, a track that appears on McCartney’s album The Boys of Dungeon Lane, which looks back on his Liverpool upbringing.

Source: rollingstone.com

The post Paul McCartney Surprises Beatles Tour Fans With a Liverpool Drive-By and a Ringo Starr FaceTime appeared first on .

According to the report, the sold-out underplay drew $40 tickets that disappeared within minutes and could not be transferred. A limited number of spots were reserved for contest winners, media, industry guests, and others, while fans outside could hear the show but could not see the stage, which sits deep in the back of the bar. Twain opened with “Come On Over” and “Any Man of Mine,” then told the crowd it felt like the “best night ever” and a full-circle moment after years of hoping to make it there.

The performance was built around autobiographical material tied to her upbringing in Timmins, Ontario, and to life in “the North.” Twain shared stories about her mother, father, truck, early driving experience, ripped blue jeans, and the idea of a fantasy man, all of which fed into the new material. She even repeated some verses after singing them with the band, wanting the audience to catch every line. Backed by a six-piece group that included four women and longtime music director Brent Barcus, Twain played guitar through most of the 75-minute set, which also included the rootsy “Dirty Rosie,” the soul-leaning “I’d Be Loving Me,” and the harmony-driven “Stranger Things.”

The Horseshoe itself added to the significance of the night. Now 78 years old, the venue has hosted a long list of artists over the years, from Waylon Jennings, Loretta Lynn, Conway Twitty, and Willie Nelson to the Rolling Stones, the Ramones, Foo Fighters, and Bryan Adams. Twain also pointed to its history as a place tied to country music and to figures like Stompin’ Tom Connors, making her first appearance there feel especially meaningful.

Source: rollingstone.com

The post Shania Twain Brings Her Dream Toronto Dive-Bar Show to the Horseshoe Tavern appeared first on .

The group later described Finch as a fierce and original presence whose humor, creativity, and spirit played a major role in shaping L7. According to the report, her impact extended far beyond the band itself, touching music, art, and the many people who knew her personally or admired her work from afar.

A longtime presence in punk and rock

Finch had recently revealed that she was undergoing treatment after being diagnosed with an aggressive form of brain cancer. What was first expected to be manageable with radiation became more complicated, leading to multiple surgeries and significant physical limitations that required extensive care. The report also notes that Finch had previously been diagnosed with thyroid cancer in 2011.

Because of her illness, Finch stepped away from L7’s planned U.S. leg of the Last Hurrah Tour and asked her bandmates to continue without her. L7 formed in 1985, and Finch joined in 1987, going on to become a key part of the band’s rise. She played on much of their Nineties-era run before leaving in 1996, later returning for the group’s 2015 reunion and appearing on the 2019 album Scatter the Rats.

Outside L7, Finch remained active in music and art. She played in OtherStarPeople and the Shocker, started Little Pusher Records, and worked extensively as a photographer. Friends and family had also launched a GoFundMe to help with treatment and recovery costs, while also supporting plans to preserve her work and finish a creative project that had been slated for release next year.

Source: rollingstone.com

The post Jennifer Finch, L7 Bassist, Dies at 59 After Brain Cancer Battle appeared first on .

Kendall began his career writing about music for publications in the UK and the U.S., including Melody Maker and Spin. In the 1980s, he moved to New York and joined MTV, where he worked for seven years as a writer, producer, presenter, and news reporter. He created 120 Minutes as a space for alternative music, and the show went on to become one of the most important outlets for the genre on television.

Launched in 1986, the program became closely associated with the rise of alternative rock in the mainstream. Kendall hosted it for three years and used the platform to spotlight acts such as Sonic Youth and Pixies. He also introduced the premiere of Nirvana’s “Smells Like Teen Spirit” in 1991, a moment that helped define the band’s breakthrough. Beyond MTV, Kendall hosted and co-produced Music Scoupe, worked in radio and DJing, and later moved into digital journalism, including some of the earliest online video streaming shows.

He eventually returned to television, then settled in Thailand and joined Bangkok Post. In his tribute, Pinfield described Kendall as a true believer who gave alternative music a home long before it became fully accepted by the mainstream, and praised the way he connected with artists and fans.

Source: pitchfork.com

The post Dave Kendall, the Force Behind MTV’s 120 Minutes, Has Died at 63 appeared first on .

De La Soul opened the music portion of the evening, urging the crowd of athletes to get on their feet during a medley that included parts of “Stakes Is High” and “Run It Back!!” Slick Rick followed by starting his performance from the audience before moving to the stage for a shortened version of “La Di Da Di.”

Ghostface Killah then took over, beginning his set by saluting fellow Wu-Tang Clan members Raekwon and Ol’ Dirty Bastard with nods to “Ice Cream” and “Shimmy Shimmy Ya” before moving into “Cherchez LaGhost.” Fat Joe closed the show with “All the Way Up,” bringing the entertainment to a finish that fit the evening’s Knicks-heavy mood.

The award show also reflected the team’s recent success in its honors: Jalen Brunson won both Best Championship Performance and Best NBA Player, OG Anunoby’s late tip was named Best Play, and the Knicks were recognized as Best Team.

Source: rollingstone.com

The post Ghostface Killah, De La Soul, Fat Joe Bring New York Rap Energy to Knicks-Focused ESPYs appeared first on .